The Issue of Race in Othello Essay -- Othello essays

The Issue of Race in Othello In his production of Othello for BBC television (1981), Jonathan Miller asserted that Othellos race does not greatly impact his downfall in the play. He maintains that while Shakespeare touches upon the issue of race, the energise of Othellos demise lies elsewhere.1 However, the implications of race in the play directly lead to its tragic ending it is this issue that impels the characters to set the tragedy in motion. Brabantio would never tumult against the union of Othello and Desdemona if it were not for Othellos blackness. Roderigo could never be motivated to pursue Desdemona were it not for his belief that their relationship is unnatural. By far the most significant racism is Othellos own, racism that Iago brings to the surface by playing upon Othellos racial insecurities. Finally, it is racism that serves as Iagos primary cause in his destruction of Othello. Brabantio is very selective close suitors for Desdemona, as is evident from his vocal condemnation of Roderigo. After learning it is Roderigo lurking roughly his break throughdow, Brabantio tells him, The worser welcome / ... In honest plainness thou hast heard me evidence / My daughter is not for thee (1.1.92-95).2 Although Roderigo is a wealthy native Venetian, in Brabantios eyeball he is not worthy of Desdemona. Despite these strict standards, it would seem that Othello could win Brabantios approval he holds a lucrative and prestigious position as the general of the army, he is born of a noble background, and he has the notice of the State. In addition, Brabantio has an affinity for Othello, as he explains, he loved Othello oft invited him / suave questioned him the story of his life (1.3.128-29). There is no ... ...his possibility and fights it. Through resisting the stereotypes, as opposed to acknowledging and accepting that they exist, Othello increases his internal conflict. Had he the necessary strength and organized religion in himself, the conflict c ould not have arisen for when there is no resistance, the make out ceases. Rather than label Othello as a racist or anti-racist play, it is more(prenominal) significant to see how, from a racial standpoint, the tragedy demonstrates the explosive make that racial dissonance can produce when combined with other personalized insecurities. Notes 1. Jonathan Miller, television interview, BBC, 1981. Quoted by Sylvan Barnet, Othello on Stage and Screen, in Alvin Kernan, ed., Othello, Signet genuine Edition (New York Penguin, 1998) 230. 2. All references to Othello are from the Signet Classic Edition (New York Penguin, 1998).